A taste for the macabre - late medieval cadaver tombs
Golafre monument at Fyfield in Berkshire
In the fifteenth and early sixteenth century people had rather a taste for the macabre when it came to funeral monuments. From the 1440s onwards it was common for the higher clergy, gentry and merchants to erect transi tombs - double level tombs in which they were portrayed in all their earthly finery above and with image of their decomposing corpse in the openwork tomb chest below. Many of these monuments were erected during the lifetime of the individual to serve as a memento mori for them during their remaining years and for those who saw it in the years after. One of the earliest monuments of this sort is that of Sir John Golafre who died in 1442 and is buried at Fyfield in Berkshire. He was portrayed in a rather advanced state of decay, with sunken eyes, taut neck and exposed ribs. The top of the monument is surmounted with an effigy of Golafre in full plate armour.
Chichele monument in Canterbury Cathedral, photo by Flambard
Around the same time as the Golafre monument is the tomb of Archbishop Henry Chichele (died 1443) in Canterbury Cathedral. On the upper level Chichele is portrayed in full pontificals, while below in the openwork tomb chest he is portrayed in the grips of rigor-mortis. On the monument is the inscription: 'I was a pauper born, then to primate here raised, now I am cut down and served up for worms ... Whoever who may be who will pass by, I ask for your remembrance.'
Barton monument at Holme-by-Newark in Nottinghamshire
A lot later is the similar monument to John Barton a wealthy wool merchant and self-made man, who died in 1491. He erected the monument during his lifetime, positioning it between the high altar and Lady altar of Holme-by-Newark church in Nottinghamshire, smack in front of where he sat to hear mass. In his will he asked to be buried in the novo monumento he had erected. On the top he is portrayed as a successful and pious businessman of advanced years, lying with his large purse and rosary beads beside the figure of his wife. Below is a wonderful 'screaming' corpse. On the side of the slab that supports the corpse a quote from Job 19 is carved: 'have pity on me, you my friends, for the hand of the lord has touched me' - The monument was obviously intended to be a momento mori for his friends and family.
A detail of the Barton monument.
For those with less disposable income cheaper versions of the transi tomb were available. In the late fifteenth and early sixteenth century shroud brasses proliferated, these portrayed the deceased in the attitude of prayer wrapped in their winding sheet. The brass of William Lenthall (died 1497) at Great Haseley, Oxfordshire is a fairly typical example.
Lenthall brass at Great Haseley in Oxfordshire
The most extreme development of this sort of image is perhaps the monumental brass commemorating the priest Ralph Hamsterley who died in 1518. He is portrayed as a skeletal figure wrapped in a shroud, being merrily munched by worms. Even his eyes are being devoured and they have got in between his ribs. Ralph was warden of Merton College Oxford and a pluralist. He had four of these brasses erected one over his grave in Merton and one in each of his livings, the one he erected in Oddington in Oxfordshire remains.
Hamsterley brass at Oddington in Oxfordshire
Lastly and equally grisly are the shrouded alabaster figures commemorating Thomas Beresford (died 1473) and his wife at Fenny Bentley in Derbyshire. Wrapped up with ties round their legs like overgrown chrysalises.
Beresford monument at Fenny Bentley in Derbyshire
The view of the opposite side of the tomb, posted by Buildings Fan, is here:
Might the larger effigy have been transferred from a dissolved monastic establishment? This certainly happened, at a higher social level, elsewhere, as with the Norfolk tombs, moved from Thetford to Framlingham, the De Vere tombs, moved from priory to parish church at Earls Colne, and the York reburials at Fotheringay.
I have come across your site while researching the role of clothing in death ritual. I am wondering if I might link to some of your wonderful photographs (academic use only and full credit given...) Please let me know your feelings on this.
(PhD student, University of Leeds)